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Archive for the ‘Dear John’ Category

Hosting MTV Media
Written by Becca on February 18th, 2010

Earlier this month Amanda and Channing “hosted” a couple of three hour blocks of MTV showing clips and talking about Dear John. I have added caps and a video. Sadly the audio on most of my recording was horribly off so I wasn’t able to get all the clips in the video. So sorry about that!


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February 2 & 3 – Hosting MTV with Channing Tatum


Dear John Stuff
Written by Becca on February 15th, 2010


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2010: January 11 – “Dear John” Press Conference
Dear John: Stills



Cinematical Set Visit: Amanda Seyfried Talks ‘Dear John’
Written by Becca on February 5th, 2010
Amanda Seyfried is quickly becoming one of Hollywood’s hottest young stars. When we talked to her on the set of Dear John, she was fresh off Mamma Mia!, gaining rave reviews from Big Love, and on her way to bigger and bigger roles. In person she’s absolutely charming, incredibly pretty, and very sweet. We had to catch her between takes and as she was getting make-up reapplied. Despite how late and cold it was, she managed to laugh and be perky the entire time we talked, which is not something that comes across on transcription.

As with the other interviews, Cinematical participated with UGO and Coming Soon, but for easy reading we’ll label all the questions as being from Cinematical.

Cinematical: So, are you happy with the restaurant scene and the way it is going?

Amanda Seyfried: Yeah, I’m pretty happy. I’m so comfortable with Channing. It comes pretty naturally, so when you feel like you are not really working hard, you can sometimes maybe feel a little self-conscious. And then, it’s like why isn’t this hard? Am I getting it? Am I getting in the act of it? But it’s fun and I’m eating really good shrimp.

Cinematical: Are you getting sick and tired of eating shrimp over and over again?

Seyfried: No, moderation is really necessary to perform that role!

Cinematical: How has your life been since your exposure from Mamma Mia!?


Seyfried:
It’s been pretty ridiculous. I definitely don’t think I would be doing this movie had I not had the success with Mamma Mia! For a lot of reasons people are chosen for a cast in a movie. A lot of it has to do with marketability and what you’re talent is and how you connect with a character. That definitely has a lot of impact.


Cinematical: Did you learn much from Meryl Streep?


Seyfried:
Yeah, a lot. There are a lot of obvious things about her as to why she has gotten so successful. She stays so balanced. Just the way she keeps her family and her career separate. She has traveled the world. She has really got it going on. She’s got her family, she’s got her career. It’s hard to do that when you’re younger though.

Cinematical: Right now you have a great opportunity for choices. What do you do when faced with certain decisions?

Seyfried: It’s hard. I’m lucky to have a really good agent. She also happens to be like a sister to me. We talk about everything everyday. I read as much as I can and she reads everything. I rely on her opinion so much because I trust her as a human being and as an agent. There aren’t that many agents out there that are trustworthy in regards to personal stuff.
It all comes down for me about who is directing and who is starring. I wasn’t sure who I was going to work with next. I wasn’t sure about the script. I wasn’t sure about the character and being cast and everything fell into place. If it blows up in my face, then so be it. I had a really good opportunity.

Cinematical: So, what has your day been like today?

Seyfried: Pretty easy. I had to get up at 8:30, which was fantastic. We came here and it was really kind of warm here in Charleston. I went over to the Piggly Wiggly for lunch. It was the first time I had ever walked in and I didn’t actually know it was a grocery store. It’s kind of fun being down here. I want to buy a house.

Cinematical: What attracted you to do this role?

Seyfried: I was at the Mamma Mia! premiere in Stockholm,and I met Wyck Godfrey who is one of the producers [on Dear John]. While in Stockholm, my agent Abby set me up with Lasse Hallstrom. He happened to be there too. We sat down for lunch at the Grand Hotel. It was good memories for both of us. We kind of clicked really well which was awesome. Here is a twenty-two year old American girl meeting with a hallowed Swedish director who has claim to all these movies. I thought, ‘I have to do this one.’ So I auditioned, and then, auditioned again. We were on the phone together and he would call and give me notes. There was this long process waiting to find out who they were going to choose.

Cinematical: Savannah’s character is fairly conservative. Do you find that to be tough or corny?

Seyfried: I didn’t notice it as much at first because I didn’t read the book. I chose completely just to read the script. Everybody I know read the story and I know the differences now. I didn’t find her all that conservative. In the book she is a super Christian girl. I’m like, ‘Oh God, I don’t want to play it like that.’ It can become unattractive and preachy.

Cinematical: Is there a part of Savannah’s character that you can relate to?


Seyfried:
There are a lot of parts, I guess. Obviously, a lot of it is me. She is really motivated and impulsive and has a love for horses.

Cinematical:
So, you like horses?

Seyfried: I love horses. I just started riding on the weekends now in the mornings for two hours. Savannah has a kind of quiet and peaceful balance and that is exactly what I need. I feel like I have become her like in the movie because I read and I ride.

Cinematical: Now that you are filming here, what is it about the place and atmosphere that you like?

Seyfried: It is so old. This town is just so blatantly historical. You can’t go on any street without feeling like you have stepped back in the 19th Century. It’s amazing. My house, where I am staying, is over a hundred and fifty years old. It’s probably my favorite place in the country. I’ve been to New Orleans. I’ve been to San Francisco, and this is my favorite place. It’s just the Old South-it’s southern–the food, the people. Downtown Charleston, I could just stay here forever. I am so inspired here. (Source)


Soho’s Apple Store Presents Amanda Seyfried & Channing Tatum
Written by Becca on February 5th, 2010


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2010: February 4 – Apple Store Soho Presents: Channing Tatum And Amanda Seyfried


More Arriving @ Letterman
Written by Becca on February 5th, 2010


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2010: February 4 – Arriving at The Late Show with David Letterman

We will have caps and media of Amanda’s talkshow appearances as soon as we can. And lots more updates coming too. Don’t forget to go out and see Dear John this weekend!


Amanda Talks Facebook, Twitter & Dear John
Written by Becca on February 5th, 2010


PIX Morning Show
Written by Becca on February 4th, 2010

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Quick Note: Dear John Contest
Written by Brianne on February 4th, 2010

Dear John Keep In Touch Sweepstakes

Enter the Dear John Keep in Touch Sweepstakes for your chance to win everything you need to stay in touch with friends and family, including two laptops, webcams, a digital camera, and more!

The Sweepstakes is open only to legal residents of the 50 U.S. or D.C. 18 years or older.

http://www.keepandshare.com/dearjohn

Contest closes February 10.


Amanda Seyfried: ‘A Lot of Girls Are Probably Really Jealous of Me’
Written by Brianne on February 4th, 2010

Amanda Seyfried had a memorably racy sex scene in last summer’s Jennifer’s Body, but this time around she’s dabbling in old-fashioned romance with Channing Tatum in Dear John.

The teary story of first love, based on the best-seller by Nicolas Sparks, brought back some memories for the 24-year-old star. Parade.com’s Jeanne Wolf found out why.

Getting that old feeling.
“It was only, like, seven years ago that I first felt that first real love, so it was really easy to tap into that excitement. I don’t think that ever goes away. I think you lock the memory away until something brings it back like a song or a movie. How exciting is that? Being in love is great.”

Her lip-lock with Channing.
“My 13-year-old self would be screaming right now if she saw me kissing Channing. When I was a teenager, I was dreaming about Justin Timberlake or Leonardo DiCaprio, who Channing has replaced as one of the sexiest men in movies. I’m sure a lot of girls are probably really jealous of me. It’s crazy. Being an actor is weird sometimes because you get used to making out with all these different people.”

The love scene she’d like to forget.
“It was freezing and I was nervous and it was so technical. Lasse Hallstrom, the director, said he wanted it to be ‘groundbreaking.’ Channing and I were like, ‘What do you mean?’ And Lasse said, ‘You know, like you wouldn’t believe it.’ If you ever got to watch a love scene being filmed you would have a great time because it’s hysterical. There’s nothing sexy about it, but they make it look quite sexy in the editing room.”

Avoiding heartbreak.
“In the movie, I’m the one who ends things with a ‘Dear John’ letter. It’s a terrible way to put it, but I prefer breaking someone’s heart. I almost got my heart broken. Just to be almost there was pretty bad.”

But still, it’s hard to forget an ex.
“I discovered a letter from my old boyfriend. It was really romantic. I was overseas when he sent it to me and he was really missing me. I found it a few weeks ago and I was just like, ‘I’ve just gotta keep this forever.’ It was one of the most romantic things that’s every happened to me.”

Letter writing is hard to do.
“I think it’s happening more now with soldiers and their families and their loved ones. Letters are really a core method of communication for them. You’ve got to stay connected and when you’re separated, and email and phones are hard to come by, that’s the only way. The challenge for me would be just getting the paper out and writing it well. Letters usually require thinking out what you’re going to be putting on paper. It’s nice to get a letter. It’s one of the most romantic things. With an email you can be so nonchalant and so lazy about expressing yourself.”

Her addiction confession
“I can’t get off my CrackBerry because it’s always clicking. There’s so much texting that some people don’t know how to write in cursive anymore. But, I don’t know, our technology is incredible now and it’s really hard to abandon that.”

Her most embarrassing moment.
“I met Nicholas Sparks, who not only wrote Dear John but also The Notebook. I’d sort of been in a James Patterson phase in my reading. So I blurted out, ‘Oh my God, I love your book Suzanne’s Diary for Nicholas. Sparks was like, ‘I didn’t write that. It was James Patterson.’ And I’m like, ‘He’s really good, but so are you.’” (Source)